Monday, October 20, 2014
Cress (Marissa Meyer)
Our focus now shifts to Cress, who is, in the world of the Lunar Chronicles, Rapunzel. A shell (if you're rusty on your terminology, that's a Lunar who can't manipulate people's bioelectricity to do the sort of illusions and persuasion we've already seen from Cinder and Queen Levana) deemed useless to society, Cress is taken by the Queen's head thaumaturge, Sybil, to a satellite to monitor just about everything on Earth. She's lived alone her whole life, become a skilled hacker and programmer--she even wrote a computer program modelled on a younger version of herself so she has company.
Mistress Sybil has asked Cress to find Cinder and give information about her whereabouts, which Cress does easily. However, she's hesitant to turn the gang over to her mistress, and not in the least because of the dreamy Carswell Thorne, whom we met in Scarlet. Instead, she signals to Cinder so that they might come to her rescue, but it backfires--Carswell and Cress end up trapped in the satellite, Scarlet is taken hostage by the thaumaturge, Wolf is grievously injured, and Cinder is saddled with a ton of guilt. And then the novel really gets going.
I will admit that I was disappointed with the second book in the series; I thought that Scarlet was an annoying character, hated how much page time she got, and felt the plot lagged too much. I was nervous to continue the series: what if The Lunar Chronicles squandered all the promise I felt in Cinder? Fortunately, that's not the case in Cress, not by a long shot. The first of my complaints--too much Scarlet, whom I didn't like--is handled by her kidnapping. She gets almost no time in this book, which for me was gratifying, and the scenes she does have are way more interesting than anything she was doing in the second book.
The plot is also far more interesting than in book two. I don't want to get into much detail for fear of spoiling more of the story, but suffice it to say that there is a huge desert sequence that has a lot of fun. It touches on ideas about marginalized communities and human trafficking in very meaningful ways that don't ever feel like smacks in the face (that is, these are serious issues and the book knows it, but chooses to subtly educate us instead of preaching about them). There's a "heist" sequence, too, and I'm always up for one of those. As is typical, we end on a really fantastic set of cliffhangers, which manage to ratchet up the excitement--I didn't realize how excited I am to see how Meyer ends everything until I got to the end of this novel.
For me, it's important that this series maintain a balance between external conflict--the fight sequences and the rapidly-approaching royal wedding--and internal conflict within the characters. I didn't feel that Scarlet achieved that balance, and I'm happy to say that I think we get that in this novel. Some of the issue relies on who is telling the story--I've already spoken about my distaste for Scarlet, but how does Cress fair?
She isn't the greatest narrator. There are things I really like about her--the early scenes of her in her satellite are touching and sad, for example. To think of that sort of extreme, total isolation is heartbreaking but fascinating, and the author does a terrific job of using the Rapunzel trope. On the other hand, Cress is a bit daffy, dreaming about love very naively and earnestly; she's perhaps at her worst when her thoughts turn to Carswell Thorne, who finally starts to breathe as a character where I felt he didn't in book two. I can't tell if these sort of loopy love scenes are reflections and commentary on the fairy tale genre or if it's maybe a systematic laziness.
Regardless, Cress is pretty well-balanced with Cinder, who far-and-away continues to be the best character in the series. Any time I get to spend with her is time well-spent, certainly. Her internal struggles remain the most interesting of any character in the book, because she's grappling with such huge decisions. It's strange to say that the more impossible her choices are, the more realistic a character she is--name one person you know in real life who finds out she's the secret queen of a world intent on destroying another. But it's exactly because of this ridiculousness that Cinder seems so well-realized.
I'm really looking forward to how this series concludes, first with an interquel (is this really the terminology? ugh) coming out in January about Levana (Fairest), and then the conclusion to the series, Winter, in November. Yay!
My rating: 4.5/5
Cress on Goodreads
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